Glossary entry (derived from question below)
French term or phrase:
(centre de) pulsions
English translation:
forces / energy
Added to glossary by
Clare Hogg
Apr 9, 2011 20:50
13 yrs ago
French term
(centre de) pulsions
French to English
Art/Literary
Art, Arts & Crafts, Painting
sculpture
I am translating a rather high-brow text about a sculptor (XXXX) and his wood sculptures (the source text is from the preface of a catalogue containing pictures of his work).
I'm wondering if there is a better way to translate "pulsions" than what I currently have and don't much like: "impulses". This word appears in two different places in the text (see below). In the 2nd instance, it appears in the phrase "centre de pulsions". "Centres of impulse" sounds very odd to me.
Any ideas MUCH APPRECIATED, THANK YOU!!!!!
...la sculpture de XXXX est en quelque sorte beaucoup plus communautaire que la théorisation plastique de n'importe quel clan artistique. Elle est d'abord concernée par les **pulsions** de la matière, le végétal, la nature, l'émotion, les gens qu'il aime et leur légende d'ailleurs plus poétique que vraiment magique ; et non par un monde urbain dominé par une productivité rationalisée, le prestige de l'insensibilité et la peur de l'imprévisible...
"Et telle perfection dans la taille du matériau, dans le choix des centres d'attraction et de **pulsion**, dans le poli des belles faces courbes, nous devrions chercher beaucoup aujourd'hui pour lui trouver des rivales."
I'm wondering if there is a better way to translate "pulsions" than what I currently have and don't much like: "impulses". This word appears in two different places in the text (see below). In the 2nd instance, it appears in the phrase "centre de pulsions". "Centres of impulse" sounds very odd to me.
Any ideas MUCH APPRECIATED, THANK YOU!!!!!
...la sculpture de XXXX est en quelque sorte beaucoup plus communautaire que la théorisation plastique de n'importe quel clan artistique. Elle est d'abord concernée par les **pulsions** de la matière, le végétal, la nature, l'émotion, les gens qu'il aime et leur légende d'ailleurs plus poétique que vraiment magique ; et non par un monde urbain dominé par une productivité rationalisée, le prestige de l'insensibilité et la peur de l'imprévisible...
"Et telle perfection dans la taille du matériau, dans le choix des centres d'attraction et de **pulsion**, dans le poli des belles faces courbes, nous devrions chercher beaucoup aujourd'hui pour lui trouver des rivales."
Proposed translations
(English)
3 | (locus of the) forces within the material | Helen Shiner |
4 +1 | dynamic focus/vital forces | B D Finch |
3 | dynamics / motivation | cc in nyc |
3 | urge, drive | David Vaughn |
Proposed translations
1 hr
Selected
(locus of the) forces within the material
A suggestion. Rather than speak of impulses or urges or impetus, all of which are anthropomorphic, how about using force(s)? The first instance could be 'forces inherent' within the material. If you want to translate it as forces exuding from the material, how about 'forces communicated by' ... or 'forces expressed by'?
I don't have the tenor of the text obviously from just this small passage, but maybe this helps.
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Note added at 6 days (2011-04-16 18:31:34 GMT) Post-grading
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Thanks, Claire
I don't have the tenor of the text obviously from just this small passage, but maybe this helps.
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Note added at 6 days (2011-04-16 18:31:34 GMT) Post-grading
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Thanks, Claire
4 KudoZ points awarded for this answer.
Comment: "Thanks for all your help with this text here and elsewhere, Helen. I actually went for your translation "energy" included in your comment to BD Finch´s answer."
1 hr
dynamics / motivation
Two occurrences of a single term, but the context is slightly different in each case, so I propose two terms:
"dynamics of matter [...]" for "les pulsions de la matière [...]"
"motivation" for "centres de pulsion"
"dynamics of matter [...]" for "les pulsions de la matière [...]"
"motivation" for "centres de pulsion"
+1
2 hrs
dynamic focus/vital forces
Explanation:
http://www.henry-moore.org/docs/walter_crane_and_hermann_obr... Waenerberg has unpacked the connections between Obrist and the art historian Bernard Berenson, who he knew whilst living in Florence from 1892-4 and their shared fascination with the ‘life of line’ in the creation of movement. Obrist and Crane’s shared vocabulary of inward
and outward, internal and external vital forces, of the natural and the spiritual, of the botanical structure and the mysteries of nature has, however, been overlooked. "
http://www.henry-moore.org/docs/walter_crane_and_hermann_obr...
""Anne Kampschulte´s artwork is marked by a dynamic focus, the sculptor releases the energy from deep within the compacted material, revealing its ..."
www.annekampschulte.com/esculturas_detail.php?lang=en...4
"In time, the atrium space will also house floor level eateries and cafes, but currently the stacked red fibreglass column provides a dynamic focus through which the space itself can find its form.
'Hello Friends' signals a return to narrative fictions within public art practice. Although taking as a starting point Brancusi's Endless Column, it completely subverts the main tenant of Modernism, the one of purity of form as a consequence of the elimination of literary narrative. "
http://www.axisweb.org/pbFull.aspx?SID=18184
http://www.henry-moore.org/docs/walter_crane_and_hermann_obr... Waenerberg has unpacked the connections between Obrist and the art historian Bernard Berenson, who he knew whilst living in Florence from 1892-4 and their shared fascination with the ‘life of line’ in the creation of movement. Obrist and Crane’s shared vocabulary of inward
and outward, internal and external vital forces, of the natural and the spiritual, of the botanical structure and the mysteries of nature has, however, been overlooked. "
http://www.henry-moore.org/docs/walter_crane_and_hermann_obr...
""Anne Kampschulte´s artwork is marked by a dynamic focus, the sculptor releases the energy from deep within the compacted material, revealing its ..."
www.annekampschulte.com/esculturas_detail.php?lang=en...4
"In time, the atrium space will also house floor level eateries and cafes, but currently the stacked red fibreglass column provides a dynamic focus through which the space itself can find its form.
'Hello Friends' signals a return to narrative fictions within public art practice. Although taking as a starting point Brancusi's Endless Column, it completely subverts the main tenant of Modernism, the one of purity of form as a consequence of the elimination of literary narrative. "
http://www.axisweb.org/pbFull.aspx?SID=18184
Peer comment(s):
agree |
Melissa McMahon
: vital forces works for me :-)
9 hrs
|
Thanks Melissa.
|
|
neutral |
Helen Shiner
: The vital forces mentioned in your first quote refer to those in natural rather than in a material. This is the language of Vitalism and thus specific to its period. For me focus doesn't work either, though energy does.
11 hrs
|
7 hrs
urge, drive
For me this is referring to traditional psychology, usually rendered as urges or drives, as in Freud for example. I don't particularly like the sound and ambiguity of these works in this context, but don't know how far you can get away from them without betraying the text. As we have seen elsewhere in this text, the author enjoys forced metaphors and the personification of processes and material.
Discussion